Albert and Joey, his red bay, are bonded “like brothers.” Joey responds to Albert’s calls, and together, they work on the family farm in Devon, plowing, sowing, and harvesting. When war breaks out in Europe, Albert’s father, in need of money for the farm, sells Joey to the military. Albert, devastated, vows to one day reunite with Joey. He angrily leaves home and enlists in the army, lying about his age. Ensuing spreads depict Albert training for and entering World War I’s trench warfare. Joey’s fortunes are equally miserable as a cavalry horse. The narrative, heavily anthropomorphizing Joey throughout, tracks him as he and stablemate Topthorn are captured by the Germans. They pull an ambulance cart, spend a calmer summer on a farm, then endure grueling work pulling guns before garnering gentler treatment from German soldier Friedrich. Morpurgo’s sentimental treatment, matched by Disney-esque tableaux intermittently delivered in comics-style panels, nonetheless conveys war as barbaric and treacherous for all—human or animal. After a battle in which both Friedrich and Topthorn are killed, Joey races away, turning up on the wastes of the no man’s land between the warring armies. Albert and an English-speaking German soldier toss a coin for Joey, and Albert, the apparent winner, returns home with Joey at war’s end. (This book was reviewed digitally.)
Source:kirkusreviews
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